Mohit Suri is an Indian Film Director, mostly known for his films, like Kalyug (2005) and Awarapan (2007). His uncle is Producer/Director Mahesh Bhatt and his cousin is Actor Emraan Hashmi who has starred in three of his films. He started his career as an Assistant Director, and made his debut as a Director with the film Zeher.
It was followed by Kalyug, which is his biggest success so far, was both a critical and commercial success. His third film Woh Lamhe (2006) was critically acclaimed overall. His next film Awarapan (2007) was both critically and commercially appreciated.
Mohit's latest film Raaz - The Mystery Continues (2009) was a Box Office Hit. His next film, Crook – Its good to be bad starring Emraan Hashmi again is set to be released shortly.
Mr. Suri commenced the lecture with a discussion about being successful Filmmakers; to which he said that there are no such formulas for being successful, nobody is aware about it. There are certain things that can lead you towards the path of being prominent Filmmakers but no guidelines as such has been laid down for anyone to follow. Make your own guidelines with a flexible outlook.
Elaborating on this, he said, being innovative in this industry is essential but by being innovative does not mean you need to be outlandish, it does not mean presenting the audience with something that they don’t comprehend. Innovation involves being relevant and enterprising. Usually it’s about rediscovering the old truth, which has been in oblivion for a long time, which goes beyond your regular showreel.
As a Filmmaker you have to constantly read and keep yourself updated about all the latest events taking place in the world. True education starts once you get out of the institute and start living with people, sharing the same passion for filmmaking. Research is involved with every Film and a Filmmaker is expected to be well versed with the subject his Film is based upon and then present it to the audience. Commenting more on this, he said, “Education does not end here, if you don’t read, don’t write constantly or be alive and see around, you would not be able to make good films”.
He acknowledged that direction is about your own sensibilities; it’s more about your feelings. The basic idea should be yours, the day you confirm to someone else’s sensibility you will fail and even if you succeed with that, you might not last very long. Being a Film Director changes you lot as a person from within. It’s vital to invest your emotions and feelings in your Films.
Another thing about Filmmaking is to collate as much experience as you can; it is crucial to have hands on experience to gain eloquence and be better Filmmakers with each Film. Speaking further on this, he added, “There are no set rules to be a Filmmaker, you learn by being there…just make films”. Sometimes even experience acts as your biggest rival. The more the experience, the tougher it gets, your upcoming or current work will always be judged by your previous work. The more successful you get, you tend to invariably repeat yourself thinking it will work but it does not. Being a Filmmaker is not just about telling story, it’s beyond that”
Mr. Suri further said that direction is not about technical skills alone, it’s about your feelings. Mere short taking is not the basis of a good Director. A Director should know to pen down his views. His suggestion to the students was to write for an hour about anything that comes to their mind. Talking on this, he said, “Best Directors are Writers. When you pen something down it’s inertia in the beginning but eventually you would enjoy it. You are halfway through to be a good Director”
In his parting lines to the students, he said, “Failure is inevitable but what counts is how quickly you get up and figure out what went wrong and start working on it. Don’t get intimidated by anyone, remember there is no such thing as a wrong shot”.
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